Learn how to insure your production against liabilities and costs incurred from accidents, the types of insurance you’ll need, where you can buy production insurance, the costs of insuring a production, cast insurance, film and video tape insurance, equipment insurance, and E&O insurance.
Learn how to hire an experienced crew, work with above the line vs, below the line, union vs. non-union crew members, manage pay or play deals, work with independent contractors and employees, address personal conflicts on set, and ultimately assemble the most talented professionals for your project.
Learn the process of hiring people, differences between employees and independent contractors, above vs below-the line, union, vs, non-union hires, and how to fire people.
Learn to find qualified vendors in your shooting area, manage relationships with vendors, the financial workflow from purchase orders to invoices, and tips to making sure you get the resources you need on set.
Learn how the unions function, the benefits for members, the key unions: IATSE, DGA, SAG, and WGA, the differences in hiring union and non-union crew, how productions flip, and how to shoot in a “Right-to-Work” state.
Learn how SAG functions, the ramifications of the SAG-AFTRA merger, how signatories work, how the Taft-Hartley act admits new members into SAG-AFTRA, and the benefits and drawbacks of Financial Core. Be prepared when working with SAG-AFTRA actors on your production.
Learn to properly break down the script, line the script, techniques for breaking down each scene, how to use scene breakdown forms, and how assistant directors and line producers should manage the breakdowns from other departments on the project.
Learn to determine the number of shooting days needed to shoot your film, how to determine the shooting order, manage day and night shoots, account for turnaround time, and the benefits of shooting consecutive shooting days.
Learn how to schedule company moves, meal breaks, learn the productivity arc of a shooting crew, how to work with the director’ shot list, skills for managing a shoot running over schedule, how to generate a one-line schedule, and how to create call sheets.
Learn to create an accurate budget, tricks to reducing the budget if you’re running over, how to plan for contingencies, how to manage crew expectations, and how to go into production knowing you’ll have the money to finish.
Hollywood verteran Casey Slade has worked with everyone from A-list celebrities to new filmmakers, and shares some keen insight on how to deal with egos in the film industry.